Out Crocheting: Back Soon

Denman College, the educational arm of the
National Federation of Women's Institutes
17th February 2013

The Tutors' Lounge at Denman
(Nugent Harris Room)

It’s February already and I now have TWO more courses at the WI’s Denman College under my belt - clearly I got something right last October! And all that despite having the worst EVER cold, and, of course, being a complete Denman newby to boot.

But this time, I knew how to get there, I knew where my room was, I understood the key system and the dining room and the bar. I could work the visualiser and the plasma screen and the room configuration was already laid out the way I liked it. This time I established more of a relationship with the other tutors, and sat at the tutors’ table in the dining room and retired to the tutors’ drawing room for coffee to discuss tutory things.

 

The Grandfather clock
in the Tutors' Lounge

Lesson time on the
Long Course

And of course I benefited from my teaching experience at Denman last time. My two-night Beginners session on 11th-13th February, though quite pacey in many ways, was still relaxed and laid back in most.

And there was time. Time to reflect, time to rest, time to sleep and time to chat. Denman has a wonderful environment, and one is working amongst people who are all having a marvellous time, learning something new, and having a break from their normal lives. It’s safe and secure and supportive. It was also funny, very funny at times, entertaining, thought-provoking and, in full measure, inspiring, inspirational.

 

Three sessions of three hours at this
Taster Weekend. This was the
first and smallest group I had.

The February Fair Maids

 

I returned two days later to teach at Denman’s New Wave Taster weekend - three three-hour beginners sessions with three different groups - a quite different format with its own set of challenges. In fact by the end of Saturday’s second session, my fellow tutor Louise Brooks (who was running the Make a Fascinator course across the way) and I both had taken on a kind of zombified, haunted stare by the time we emerged from our respective workshops in the teaching centre and toddled back past the cheery border full of February Fair Maids to the Denman Dining Room at the main house.
We’d recovered by Sunday morning though, and agreed that it had been huge fun and we’d do it again like a shot.


Handmade bear, made by my
mum, Julie Rankin, showing off
his Cable Crochet sweater (by me).

___________________________________________________

In the meantime I’ve been making baby things for pregnant friends. A little jacket here and little hat there. I’ve begun a major sample of filet crochet that uses lacets, intended for submission to the Diploma panel (long neglected) and I have decided, ultimately, I might see if Denman would like it on a wall somewhere. The thought of that will keep me at it I think. I’ve also made a few flowers, and hats, gloves and necksnugglers AND, (fanfare) finally mastered crocheted cables!  Oh yes - too busy crocheting to blog!

 





Down at Denman, up at Ally Pally and Looping the Loop!

The main event since I last blogged has been teaching at Denman College. For those not in the know, this is the college of the Women's Institute, and very highly regarded it is too.
I can't tell you the caché I have appreciated through this association! But much more to the point, it was an EXCEEDINGLY enjoyable thing to do - despite the fact that I developed a cold the day before and felt really rotten as I drove to Marcham from London the previous afternoon. I wish I'd been just a trifle more assertive and asked someone to photograph ME in my teaching position at the 'visualiser' on the day. But come to think of it, perhaps my red nose and watery eyes wouldn't have come out too peachy on camera, so perhaps it was better that way!

In the photo above you can see the Plasma screen switched to the visualiser, which is only showing a pile of yarn and the table top of course, because the hands that, more often than not, appeared in the frame were, at the time, employed behind the camera. Here you will see some of the students hard at work. They were a very friendly and warm bunch and it was a joy to meet them all. I was particularly honoured (and I hope she won't mind me mentioning it here) to welcome TV interior designer Linda Barker into our midst, and she is sitting in the foreground to the right.

I also used the Plasma screen to show my PowerPoint slides, and although their preparation proved time consuming and effort-filled, I was jolly pleased I had done them. Printouts served well as reminder handouts of the day, which I do hope made my students feel they'd got some value for money!

The main college building is a beautiful old mansion that was once owned by Lady Denman, and the teaching rooms are in an extremely pleasant and well-equipped separate block, with all the mod cons - as you may have already gathered. I stayed overnight the night before, which was a life-saver, since I wasn't feeling 100%, and I was very well fed throughout my stay.

Other Matters

I also went to the Knitting and Stitching Show at Alexandra Palace with my friend Jan and we thoroughly wore ourselves out trawling up and down the many, many aisles, sampling the beauties of yarns and yarn-based products. There I bought a ball of Alpaca yarn from Alpaca Select and have since made myself some fingerless gloves. I shall be producing some more of these as Christmas Presents. The yarn is lovely to work with. The pattern comes from the September 2012 edition of Inside Crochet magazine (the one before the one with my article in it!). They're called 'Pumpkin Mitts'.

This month I finally made it up to Islington to visit Loop Yarns - something I've been meaning to do ever since I bought Sue Cropper's Loop Vintage Crochet book. The shop was NOT a disappointment: two floors of sumptuous yarnosity. AND I met Sue Cropper! I asked her why I couldn't buy a copy of Inside Crochet in her shop (OK I wanted to draw attention to my recent journalistic success!) and she enlightened me about the recent history of the magazine. Its previous publishers, it seems, let a lot of people down (I rather gather this is putting it mildly, but she didn't give me any real details), with the consequence that, though it is now no longer under their auspices, and actually LOOKS quite a lot different, she still refuses to have anything to do with it!! What a shame. All I can say about that is that I do hope they can overcome this soon, and it may prove difficult, because I have noticed that I haven't been able to buy a single copy from any shop I've been in.

But ANYWAY, I have my own relationship with Claire Montgomerie, the lovely editor of the beleagured magazine, and I still intend to attempt a second contribution to it. I am working on it currently, in fact. An article about another female magazine editor, one now long since gone, but  a continuing inspiration. More soon.......

Back in the armchair now

Boiled Wool bag

My mermaid at Ilfracombe Harbour











Our sandcastle on Aberdovey beach.










Emily Joyce wearing one
of her own creations
and working away at the
next. I interviewed her
for my article. This was
taken in Canvas & Cream
in Forest Hill.

Well, where did the summer go, eh?

What have I been doing? 



Broomstick stole

Urban Granny

A student of mine at the Sydenham
Gardens Mental Health Resource Centre

Apart from quite a bit of teaching and some writing, I've been trying to FINISH some projects for most of it actually. The WIPs were taking over my home (Works in Progress). 

 

So to that end I completed some felted bags I'd been harbouring for long months - but actually they all need lining now. 

Kids crocheting in my summer holiday
sessions at a youth club in Downham.

I also started (sorry I couldn't help myself) a broomstick lace Stole in duck egg blue aran weight cotton (dribble dribble), oh and I also started (no, I really am sorry but I just HAD to) a ruck sack style bag for myself, made out of granny squares but with a kind of 'urban' colour scheme. It's looking good but it, too, will need lining. I'm still creating a flap that will attach to some buckle straps. No what did I do with those buckles I bought?

A happy student of
mine at the Flower
in Two hours
session at Alhambra
Homes and Gardens

In the mean time I've made a lot of sandcastles and sculptures and eaten rather too much cake. So, much of September's attention has been taken by my focus on Weight Watchers online. ( I've lost a stone so that can't be bad).

But for me, the biggest and BEST piece of news is that I have had an article published in a crochet magazine. Inside Crochet - October 2012. I am really, REALLY chuffed, and am starting to think about what else I could scribble about in the same vein, now I've reached that milestone.

Getting a little crochet action!

Well, since my last blog things have hotted up considerably!

Small bag made from string and plastic
carrier bags cut into strips. Handle still
to come.

I have been contacted by the Environmental Division of the Lewisham Borough Council and invited to carry out a series of workshops for children during the summer holidays. They want me to show them how to make bags out of recycled plastic carrier bags. So I’ve been working it out and making my own, planning the workshops and generally thinking about how best to approach the challenge. Interesting. The bags are looking good too, after a couple of false starts. Haven’t quite finished anything but am beginning to feel reasonably confident that we can make something satisfactory out of the idea. I’ve also been down to the House of Curtains in Sydenham and bought out their entire supply of 6mm hooks and some other sizes besides!

These hooks came in very handy, as it turned out, for my free Flower in an Hour session at the Sydenham Arts Festival this July. We weren’t expecting many, maybe 4 or 5 if we were lucky and I got myself positioned on the night, in the back room at Alhambra Homes and Gardens, where I normally teach my beginners sessions, and before Alhambra’s owner, Rebecca Leathlean and I knew where we were,  numbers had grown completely out of hand!

I, completely daunted and gobsmacked, began the lesson with people LINING the room, sitting on the tables, barely able to see me, while Rebecca turned more away at the door of the shop! . Well, we managed, somehow, to make half a flower in the hour and some didn’t really get that done. I  came away feeling not so good, as though I had let them down somehow. I’d only got one pair of scissors and I couldn’t help everyone as much as they needed. It was  a shame.

Flower in an hour workshop TAKE 2! July 2012

Anyway, Rebecca organised an overflow session and the following week, four of those turned away the first time turned up again. This time I had slightly re-thought, AND we’d given them potentially a bit more than an hour, AND I plunged in like an express train, racing through each learning point with barely a breath in between. But you know what? In about an hour and a quarter, they each learned how to slip knot, slip stitch, chain, double crochet, half treble crochet and treble, as well as how to change colour and fasten off, and - miracle of miracles - EVERYONE had made a passable flower And what’s more, they had all also learned how to read a pattern!!!!! I can’t tell you the satisfaction I derived from that unexpected and unscheduled session. And I’m pretty sure my students were pleased with their achievements too!

These new formats for classes haven’t been the only crochet-based activity using my energies of late. Weeks ago I submitted an article to a crochet magazine with only the weeniest hope that they’d be interested and for a very long time I heard nothing back whatsoever, but then, pretty much out of the blue it seemed, they came back showing interest! They want more though. More substance, more quotations, more genuine content. I’m delighted, if daunted. I’ve got my work cut out to do it, but do it I intend. I’ve so far officially interviewed one  of my fascinating ex-students, who is, as it turns out the mother of a child at my son Gabriel’s school, (also called Gabriel!) . She had come to me as an experienced embroiderer wantingto add to her craftskill base and found herself quite out of her comfort zone. In fact she's a multi-talented individual, an actress of some repute, with a great interest in the calming and focussing effects of crocheting and creating that have directly helped her in her work and life. We walked round Dulwich Park one morning after school drop off and talked nineteen to the dozen. My notes from the encounter are still burning a hole in my notebook. I desperately want to get on and start further research and writing but I do find that in the evenings I’m pretty shattered and my head’s buzzing. I need to switch off from it all. Well, I’m hoping for some quality time with my laptop tomorrow before the events of the last week of term and then the school holidays begin in earnest, because after that it’s pretty much a roller coaster calendar until September.

But I never stop crocheting in all the gaps of course - I'm making two bags simultaneously at present, one super chunky, the other super fine. Both looking good - I'll keep you posted! 

Recent successes

 The Cafetiere cover for Mummy, in situ. It's a lovely, textured stitch called Embossed Stitch by Darla Sims in her book 69 Crochet Stitches. I used Debbie Bliss Cashmerino DK on a 4mm hook and the shape of the piece was based on an existing quilted cotton cover made for a smaller cafetiere, and sized up. The button is a little blue bought one in the shape of a flower.
The felted bag went well, I am delighted. I washed it at 60 degrees and that was quite enough to achieve the felting effect. I changed my design at the last minute when I was looking on a Finnish site and found a picture of an interesting looking little basket (not felted) with these supersized button hole handles. Next time I'll crochet a couple more rows above the chain space I think. This basket was so easy to make and it could be lined, and/or decorated with 3D flowers. I could make another one with my own stripes instead of using a multicolour yarn. The great thing is you don't have to weave in the ends when you change colour, you just cut them off once it's felted! MAGIC!

Adriafil Caracas Multicolour
75% wool, 25% acrylic,
DK, 9mm hook
Dc in the round with button hole handles
Last row treble crochet on handles only
60 degrees, short  slow spin

Heart Felt

Wow! Sirdar's website has featured a garment made in CROCHET on their FRONT PAGE!!!! http://www.sirdar.co.uk/ . This really does seem to reaffirm the sense that our beloved craft is on the rise, which is good news, right?.  OK, it's GRANNY SQUARES again, which of course, is in fashion at the moment, however, the bad press of this icon of oldy worldiness could be helping to reanimate the myth that it is where crochet begins and ends.

The image is beautiful, of course, Sirdar is one of the biggest players in the yarn industry in this country and internationally, one would expect nothing less.  Let's just watch this space for some further high profile PR containing some more surprising crochet work, that will have all the knitters and weavers running for their beginners hooks to get on the bandwagon!

 I want to be a crochet designer. I trained as a fashion designer and worked as a graphic designer. I taught textiles and I now teach crochet, but I want to be a crochet designer. And not just make a load of stuff and sell it a craft fair, I want to have my ideas published. I want my designs disseminated so other people can try them. I want my name in print, let's face it. Can I do it? Well, let's find out shall we? I've emailed Inside Crochet with the offer of an article I've prepared, and I've today contacted the General Enquiries email address at Sirdar to ask who to contact with pattern ideas. A thousand mile journey begins with a single step. And since I have a full time job at the university, my steps will be a little sporadic I think. If anyone out there has any advice, bring it on!

Fruits of Life Drawing Class

 Just lately............I've been designing, and I've been felting. I've also made a cafetiere cover for my mum, for which I am awaiting feedback. I returned to life drawing classes (which I think will be lovely for design drawings, but is actually just plain lovely) and I've been teaching a lot. I love watching what it brings to my students, and how quickly they begin to create objects of amazing competence and beauty.

Design Idea

Adriafil Caracas multicolour DK
DC on 9mm hook BEFORE FELTING.

The very same swatch of
Adriafil Caracas
AFTER felting. Almost like a
painting by Turner, isn't it?

A night in Tunisia

I spent the morning alternately blowing my nose and learning new Tunisian Crochet stitches. The first problem I wasn't entirely sure was hay fever or a cold, and the second issue, much more pleasant of course, served to distract me from the worst of the first.

I've been gaily broadcasting that I will teach Tunisian at some point soon, and I do enjoy it, but in actual fact I haven't had an awful lot of experience with it. I realised I'd need to thrash out some of its pitfalls before I stand up in front of a group and declare myself able. For one thing I've only ever tried a couple of Tunisian stitches so I needed to get a few more under my belt.

If you are wondering, by the way, what the heck Tunisian Crochet is, it's a form of crochet that is much closer to knitting, in that you work loads of loops onto the hook, like, as many as your work is wide, just like knitting, and then you work them all off again. Unlike knitting, you don't work them off onto another needle, they just get looped into the work, safe, like crochet. I've even seen it CALLED 'crochetknit'. Of course, if you do want to make anything any wider than a granny square you'll need a much longer hook than the standard.

At the back is a swatch of Tunisian 

Standard stitch in bamboo. In the middle

is Tunisian popcorn in wool, and the front

is Tunisian Knit stitch, still on the hook.

 I bought mine from John Lewis. It's not ACTUALLY a Tunisian hook because they come with a kind of 'stop' on the other end. A hook on one, and a stop on the other. The ones I've bought from JL are actually 'Double Ended', in that they have a hook at each end. The point is though, that they are LONG, twice as long as an ordinary hook. And I've also discovered that there is ANOTHER form of crocheting, actually a kind of variation of Tunisian, called double ended crocheting, which puts the hook at the other end to good use and produces double-sided fabric, sometimes with a different colour on each side!

Happy Easter, by the way!

In continuation of my treatise on technology last week, I got my instructions from a book for sale on Amazon by simply clicking Look Inside. I won't say which book because I don't want to go anywhere near infringing anyone's copyright, in fact I daresay just by mentioning what I have done I could be inciting the wider public to immoral practices that leave the author popular but poor. Let's just say that it's a current and useful loop hole that's making it possible for me to learn crochet stitches without spending any money, and it probably won't be open for long....

For yet another crochet technology link, do please also visit my Social Bookmarking account at Diigo where I clip all the random, crochet and craft-related links I ever encounter.....